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Thursday, March 19, 2020

7 side hustles that can pay as much as $150 per hour


7 side hustles you can do while working full time that can pay as much as $150 per hour

Twenty/20
As many as 45% of working Americans have a side hustle outside of their primary jobs, according to a 2019 Bankrate survey of 2,550 adults. Those side hustlers spend an average of 12 hours a week on their side gigs, and 73% of those side hustlers earn up to $500 per month. That’s a lot of people earning thousands of extra dollars every year.
If you’d like to earn extra money but you need a gig that you’d be interested in doing even outside of your full-time work, there are plenty of options open to you. Let “your unique combination of skills, resources, interests” guide you, says Kathy Kristof, founder of job search site SideHusl. “You’ll be happier, you’ll do it better, and it will feed that yearning.”
Side hustle income
One in three Americans with a side hustle puts the extra income towards living expenses.
HOW SIDE HUSTLERS PRIMARILY USE THEIR EXTRA INCOME
Disposable incomeRegular living expensesSavingsOtherDISPOSABLE INCOME● null: 34
0510152025303540
HOW MUCH SIDE HUSTLERS MAKE IN A MONTH
$500 or less$501 - $2,000More than $2,000
01020304050607080
Note: Remaining respondents said they did not know or preferred not to say. Based on a Bankrate survey of 2,550 adults conducted in May 2019.
KIERSTEN SCHMIDT/GROW BANKRATE
Here are seven flexible side hustles you can do to supplement a full-time job.

1. Tutor English online

Sites like VIPKid and GoGoKid pair English-speaking teachers with Chinese students for 25-minute classes online. Teachers pick time slots at their convenience, and both companies provide the lesson plans.
GoGoKid teachers earn $14 to $25 per hour, while VIPKid teachers earn an average of $22 per hour, according to their websites. 

2. Write 

There are many ways to dive into writing these days. Lucrative options include grant writing and copywriting for advertising or branding companies, usually without a byline. Another is ghostwriting, or working with someone who has a story to tell but doesn’t have the skill or time to put together a manuscript on their own. You may not get to take the credit but you can get paid handsomely. 
Consider creating a profile on freelancing platforms like Fiverr, where experienced writers charge as much as $150 per 500-word blog post, or Upwork, where experienced writers charge as much as $150 per hour.
If you’re more inclined to write essays or articles, consider pitching an idea to a publication covering a topic of interest or expertise. Parenting blogs like A Fine Parent, for instance, pay $75 per article. Look around to find blogs and publications covering subjects you’re well versed in. While there are usually deadlines involved, writing assignments can be done any time of the day.

3. Be an online mock juror 

Online mock juries give lawyers a sense of how jurors might vote on their cases. They’re like focus groups for forthcoming trials. Depending on the website, an attorney might submit a written case consisting of facts and various questions, or they might record a summary of the case for “jurors” to weigh in on.
Sites like eJury estimate each case takes about 35 minutes and pays between $5 and $10, while Online Verdict estimates each case takes 20 to 60 minutes and pays $20 to $60. Many of these cases can be done any time of day.
Sign up to be a virtual juror on Online Verdict, Virtual Jury, or eJury. Note that jurors often have to be at least 18 years old and a U.S. citizen.

4. Translate

Fluent in another language? Companies worldwide could use your multilingual services to translate anything from medical leaflets to website content to legal documents.
The average translator in New York earns $21 per hour, according to Indeed, and you can pick up projects during your spare time. Sign up to translate documents on sites like Translate or Bunny Studio, or find translator jobs on Indeed or on other job boards.

5. Take surveys online or by phone   

When a company brings a new product to market, it often wants to find out what potential customers think. Market research companies solicit the help of people to take surveys online or answer questions by phone about their clients’ products. And they pay. Market research company Shifrin Hayworth says its studies take 30 minutes to three hours, and pays $50 to $250 for each one.
Sign up to get paid to take surveys on sites like Shifrin Hayworth, Focus Group, or Find Focus Groups.

6. Be an influencer

Got a sizable Instagram following? You might be eligible to start making some money off of it. Apps like Heartbeat for Ambassadors allow those who’ve amassed a following to connect with brands that pay them to post pictures with and about their products. Users should expect pay per post to be anywhere from $3 to $50, according to SideHusl, with a lot riding on exactly how many followers you have. 
“The fewer followers,” says SideHusl, “the less likely you are to get chosen for a campaign.” Past campaigns have ranged from durable phone cases to gluten-free waffle mix.

7. Make deliveries

If you have a car and open time slots at various points during the day, or even at night, delivering anything from food to pets to furniture might be a worthwhile side hustle. Companies like Roadie help connect drivers with delivery gigs in their area, and “drivers can earn up to $15 per trip on local gigs and up to $650 on long haul deliveries,” according to its site.
Drivers for food delivery sites like GrubHub make an average rate of $19 per hour, according to Indeed. And Taskers on Task Rabbit charge as much as $80 per hour for deliveries.
Pay attention to the side hustle you end up choosing: “This is your chance to give yourself an opportunity that you may not be getting at work,” says Claire Wasserman, founder of career coaching site Ladies Get Paid.
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Wednesday, January 29, 2020

Nu Man Fatin





Nu Man's music embodies versatility, tradition.

Chicago was his birthplace, and he also spent time on the West Coast, but Atlanta, Georgia was the place vibrant performer Nu Man blossomed into a distinctive, compelling singer/songwriter. Once his family relocated to the locale known as "The ATL," where they still reside, Nu Man's love affair with music blossomed. 

He mixes rap's verbal fluidity and improvisational fervor with tones and themes gleaned from pop, R&B, and soul. The result is an edgy, dynamic sound that offers insight into everything from relationships to topical issues. 

When asked what inspired him to become a performer, Nu Man responds in decisive fashion, crediting Atlanta's fertile creative environment with being the catalyst towards a professional career. "I first gained interest in music as a sophomore in college," Nu Man recalled. "I remember free styling for the fun of it around others and noticing how people dug the way I flowed."

Family members have proven just as important to the development of his hybrid style as some major musical names. "On a personal note, I can say that my older brother, along with other artists in my family were my first major influences," he continues. "By witnessing their musical creativity and the high level of sound I interpreted it to be, I was like "wow," that is so cool to be able to create good music. 

On the other hand, Michael Jackson, Elvis, and rapper E-40 were my outside influences." As someone who mixes spoken word and song, Nu Man's approach to songwriting reflects a careful balance between expressing ideas in oral or musical fashion. "

My compositions are created both by lyrics first along with the melodies I hear with it, and also by listening to a beat and feeling the direction the beat takes me lyrically," Nu Man explains. "Interspersing multiple genres into a tune comes naturally," he adds in response to an inquiry about the multiple strains that converge in his music. 

"I'm naturally a more literal writer as opposed to a more figurative approach. So as I write, I tend to write about real life experiences and the emotions and feelings they generate. Being a pop artist I like more up tempo songs, while being soulful, I naturally put feelings into it. That makes up my recipe for a good tune." The sources of his songs are as varied as the genres and artists he enjoys. "My ideas for songs come in different ways," he adds. "Sometimes when I hear a track, I will be reminded of a moment. I then ponder on the cause and effects of that moment while I vibe to the rhythm of the track and write. 

Other times I will find myself feeling some kind of way, and I then put into a song whatever I am feeling at that time. Also, I will hear a song in my sleep, wake up and write it." But while versatility and variety are Nu Man attributes, thus far there's one arena he doesn't explore as a composer. "At this point in my writing career I have yet to write any political songs." Nu Man acknowledges. 

"Topical material I do write sometimes." Nu Man's roots are evident in both his edgy vocals and love for lyrical embellishment. "I was born in Chicago, but spent most of my youth in California," he responds when asked if he heard or was aware of much house music, a Windy City staple. I remember loving '80s R&B like the Whispers and Rick James, while also liking '80s pop music."

While now totally focused on his music and career, Nu Man envisions a time when he can stretch his creative wings. "At some point in time, I am looking forward to writing for other artists," he said. "I have some songs that I can hear some other great voices on as well, not just my own. 

For me, it is always fun to collaborate with other artists and create music that is unique and different than what I am used to with my own style." In the past, options for independent artists weren't nearly as plentiful as in the 21st century. Nu Man's especially pleased with how the Internet has proven a boon for those performers without record label support. 

"I am glad that the Internet is available for independent artists," he says. "I think it really lends a helping hand when it comes to getting our music heard by the people. Record labels have to pick and choose their artists and it might not be the best way for you as an artist. 

The Internet really helps independent artists get their music to the people." "My goal is to entertain for a living at a high level," he concludes. "I have a strong desire to create songs that will last a lifetime or two and stand the test of time. I am also really looking forward to my very own first Grammy Party." With his enticing, original sensibility and approach, Nu Man can look forward to a long career and hopefully several other Grammy events in the future.



Wednesday, January 22, 2020

The Zombies - The Chris White Experience - Volume Three

The Chris White
Experience
Volume Three
(Sunfish Records)



Release date: 20th December 2019 Cat: CWE003

** A THIRD STUNNING COLLECTION OF NEW
RECORDINGS FROM HALL OF FAME INDUCTEE **

This year (2019) The Zombies were inducted into the Rock and Roll
Hall of Fame in a British invasion alongside Radiohead and The Cure.
On stage with the rest of the band was Chris White; the man who coproduced
and wrote more than half of the seminal Odessey & Oracle
album, who composed (the now standard) This Will Be Our Year and
who penned and co-produced the worldwide hit Hold Your Head Up
for Argent. His acceptance speech from the night, widely quoted in
Rolling Stone, beautifully summarised the golden age of recording:
“Music and songs are the bookmarks in all our lives, it’s the language
that binds us all together”. The Chris White Experience is an
incredible collection of unreleased recordings from the last 50 years.

After The Zombies, Chris White produced records for a number of
diverse artists (Colin Blunstone, Argent, Marti Caine, Doris Troy,
Matthew Fisher, Duffy Power, and others) with further production
sessions filled with unreleased material (Diana Dors, Dire Straits,
Charlie Dore). The popularity of his songwriting has been celebrated
by various artists (Beck, Paul Weller, Tom Petty, The Foo Fighters)
recorded in a number of languages, and reached number one
worldwide (Japan, Europe, and America). This collection of demos, cowrites,
and unreleased gems is the third in an acclaimed series
detailing his work as a songwriter and producer between 1969-2019.

Most of these songs have never been heard, with Volume Three
spanning half a century from an unreleased 1969 Zombies demo,
right up to an October 2019 recording from Et Tu Brucé. With
collaborations featuring Rod Argent and Colin Blunstone (Unhappy
Girl) and London band Et Tu Brucé (Can’t Seem To Fall In Love) as well
as performances from Joe Lee Wilson (Archie Shepp) Russ Ballard
(Argent) Stuart Elliott (Cockney Rebel, Kate Bush) and many more.
Following on from the much-celebrated Volumes One and Two, it is a
brilliant and vital document in the history of British music and
analogue recording.

The Chris White Experience -Volume Three features 13 tracks
showcasing his considerable songwriting catalogue, with so much
more to discover. There are three further albums to be released in
2020. Find out more at: thechriswhiteexperience.com

Twitter: https://twitter.com/TheChrisWhiteEx


Tracklist:

01 – Celebration (feat. Sparrow)
02 – Out Through The Stars (feat. Elvis Chambers)
03 – Can’t Seem To Fall In Love (feat. Et Tu Brucé)
04 – Your Heart Is Mine (feat. Maggie Ryder)
05 – To Live A Dream (feat. Tim Renwick)
06 – Loving You (feat. Kevin Finn)
07 – Up Against The Wall Again (feat. Francie Conway)
08 – Man Go Find A Woman (feat. Joe Lee Wilson)
09 – Hold On To Me (feat. John Verity)
10 – Unhappy Girl (feat. Colin Blunstone)
11 – Today More Than Ever (feat. Chris White)
12 – Would You? (feat. Bianca Kinane)
13 – Let’s Have A Party (feat. Kevin Finn)


Video Link:

https://www.youtube.com/channel/thechriswhite 

Listen Link:

https://soundcloud.com/sunfishmusic 

For Interviews, Press/Radio Info Please
Contact:

Jamie +44 (0)7394 290 698
Sunfishpromotion@gmail.com